Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Wednesday, 29 October 2025

HORROR EXPRESS (full article at The Guardian Australia)


Every day is a good day to reacquaint ourselves with Horror Express, the 1972 Spanish-British co-production that sees scream kings Christopher Lee and Peter Cushing battling an ancient evil on board a choo-choo train. Need I say more?

Prof Saxton (Christopher Lee) unearths a 2 million-year-old iceman while on an expedition to the Manchurian wilderness. It’s a nightmare trying to transport it back to the UK: his reservation on the Trans-Siberian Express gets messed up and he has to suffer the indignity of sharing a cabin with his professional rival Dr Wells (Peter Cushing). And to top it off, the iceman thaws out and starts melting passengers’ eyeballs.

Read the full article at The Guardian Australia:

https://www.theguardian.com/film/2025/oct/29/celebrate-halloween-watching-1972-film-horror-express-christopher-lee-peter-cushing

Wednesday, 24 September 2025

SOCIETY (full article at The Guardian Australia)

The Substance, Together, Titane, Sick of Myself: body horror is having a bit of a resurgence lately. So what better time to revisit Brian Yuzna’s slimy obscenity Society? It’s a movie that definitely thinks we should be taxing billionaires, and to make its point, Society throws an ending at you that you will never – ever – forget.

Society’s entire reputation rests upon this finale and there is no discussion to be had without addressing the queasy and lurid final act. So please take this as both spoiler and content warning, and don’t blame me if you feel like your eyeballs need cleaning after seeing it.

Read the full article at The Guardian Australia:

https://www.theguardian.com/culture/2025/sep/24/eat-the-rich-before-they-eat-you-in-praise-of-body-horror-classic-society

IMDB: Society


Thursday, 24 July 2025

MONSTER ISLAND (ORANG IKAN) (full review at Screen Realm)

During WWII a Japanese prisoner transport is torpedoed at sea. Two convicts, one Japanese (Dean Fujioka), the other British (Callum Woodhouse), are washed ashore on a deserted island. As the two adversaries are suddenly equalised by circumstance and nature, they immediately embrace conflict and, eventually, mutual understanding, in a manner not too dissimilar to the start of Kong Skull Island, or countless episodes of Star Trek.

Read the full review at Screen Realm:

https://screenrealm.com/monster-island-movie-review-shudder-horror-film-orang-ikan/

IMDB: Monster Island (Orang Ikan)



Wednesday, 11 December 2024

FRESH (full article at The Guardian Australia)

With Sebastian Stan attracting awards buzz for The Apprentice and A Different Man, it feels like an appropriate time to revisit Fresh, which for my money is one of the most warped and interesting horror comedies of recent years. However, this is a movie that’s hard to discuss without giving something crucial away, so before reading any further – and if you’ll pardon the pun – you may first prefer to go and experience it fresh.

Read the full article at The Guardian Australia:

https://www.theguardian.com/film/2024/dec/11/boy-eats-girl-horror-comedy-fresh-really-is-worth-a-second-helping

IMDB: Fresh

Tuesday, 28 November 2023

Thanksgiving (full review at Screen Realm)

Eli Roth’s Thanksgiving first came to life as one of the fake trailers in Robert Rodriguez and Quentin Tarantino’s ill-fated Grindhouse experiment. Now supersized as a feature in its own right, Thanksgiving is a seasonal slasher that pits a masked, axe-wielding maniac against a group of college kids and assorted townsfolk.

Read the full review at Screen Realm:

https://screenrealm.com/thanksgiving-movie-review-2023-horror/

IMDB: Thanksgiving

Monday, 27 November 2023

FROM BEYOND (full article at The Guardian Australia)

When HP Lovecraft sat down at his desk to write his short story From Beyond, did he picture, in his mind’s eye, Ken Foree in his underpants battling a giant worm, Barbara Crampton being attacked by a swarm of carnivorous flies, or Jeffrey Combs ravenously munching on a human brain? It’s fair to assume he probably didn’t, but director Stuart Gordon did and that’s precisely why the 1986 film From Beyond is a deranged, no-holds-barred body horror masterpiece.

Read the full article at The Guardian Australia:

https://www.theguardian.com/culture/2023/nov/08/from-beyond-is-deranged-obscene-and-encapsulates-everything-thats-great-about-horror-movies

IMDB: From Beyond




Wednesday, 27 September 2023

PRIMAL (full article at The Guardian Australia)


Primal is a dark, sinewy animated series that pairs a knuckle-dragging Neanderthal named Spear with an orthodontically challenged T rex called Fang. Violent and bloody, Primal is probably not for kids – but there is far more depth and intelligence to the deceptively simple concept of a caveman and a dinosaur teaming up to fight the world.

Read the full article at The Guardian Australia:

https://www.theguardian.com/culture/2023/sep/26/neanderthal-thrills-and-dinosaur-kills-a-caveman-and-a-t-rex-take-on-the-world-in-primal

IMDB: Primal

Thursday, 22 June 2023

ANACONDAS: THE HUNT FOR THE BLOOD ORCHID (full article at The Guardian Australia)

The 1997 all-star reptile rampage Anaconda was a movie notable for an early career appearance from J-Lo, a dicey Paraguayan accent from Jon Voight, and, let’s face it, not much else. Admittedly, defending a sequel that has 25% on Rotten Tomatoes might sound like a fool’s errand but hear me out. With a charmingly silly plot and a raft of unsympathetic characters destined to become snake fodder, Anacondas: The Hunt for the Blood Orchid succeeds where the original faltered – and cranks up the ophidiophobia.

Read the full article at The Guardian Australia:

https://www.theguardian.com/film/2023/jun/21/i-wont-pretend-anacondas-the-hunt-for-the-blood-orchid-isnt-stupid-but-its-also-very-fun

IMDB: Anacondas: The Hunt For The Blood Orchid

Sunday, 14 May 2023

INFINITY POOL (full review at Screen Realm)

Infinity Pool is the third feature from writer / director Brandon Cronenberg, and as you might expect if you’re a fan of either Cronenberg Jr or Snr, it is an imaginative science fiction / horror hybrid that asks some interesting questions around the nature of wealth, privilege and accountability.

Struggling author James (Alexander Skarsgård) and his wife Em (Cleopatra Coleman) are holidaying in the fictional country of Li Tolqa. Staying in a high end resort, shielded and fenced off from the local populace, they befriend another couple, Gabi (Mia Goth) and Alban (Jalil Lester’s) and sneak out of the resort to enjoy a drunken day at the beach. On their way home, a local man is struck and killed by their car. Panicking, they flee the scene.

Read the full review at Screen Realm:

https://screenrealm.com/infinity-pool-movie-review/

IMDB: Infinity Pool

Wednesday, 10 May 2023

POSSESSOR (full article at The Guardian Australia)

Brandon Cronenberg’s new movie, Infinity Pool, is out this month so why not take the opportunity to revisit his second film, Possessor, a blisteringly imaginative science fiction / horror movie that engages your thoughts and messes with your brain.

Read the full article at The Guardian Australia:

https://www.theguardian.com/film/2023/may/10/brandon-cronenbergs-possessor-is-one-of-the-most-exciting-horror-films-of-this-century

IMDB: Possessor




Wednesday, 30 November 2022

RESURRECTION (full review at Screen Realm)

Resurrection is a psychological thriller from director Andrew Semans. It deals with dark themes, including the impact of resurfacing trauma, as a woman is haunted by a presence from her past.

Margaret (Rebecca Hall) is strong, confident and successful in her career. She juggles her responsibilities as single parent to her daughter Abbie (Grace Kaufman), has a demanding job in medicine, and enjoys a commitment-free relationship with her colleague Peter (Michael Esper). She’s fit and healthy and in control, living life completely on her own terms.

While at a work conference, Margaret spots a man from her past in the audience, causing her to flee in terror, breaking down in tears once she arrives home. As the week goes on she spots the man, David (Tim Roth), more and more frequently, but always in public places and never approaching her directly.

Read the full review at Screen Realm:

https://screenrealm.com/resurrection-movie-review-rebecca-hall-tim-roth/

IMDB: Resurrection

RESURRECTION MOVIE INTERVIEW: DIRECTOR-WRITER ANDREW SEMANS ON REBECCA HALL THRILLER

I had an enlightening chat with director Andrew Semans about his excellent psychological thriller, RESURRECTION, starring Rebecca Hall and Tim Roth. The interview is up now at Screen Realm and the movie is released on digital platforms on 30 November.

It also features an unexpected cameo from my cat, Charlie, at 7:58 

https://www.youtube.com/watch?v=7lXLW6z-_I4

The full Screen Realm piece is here:

https://screenrealm.com/resurrection-movie-interview-director-writer-andrew-semans-rebecca-hall/



Tuesday, 29 November 2022

PHIL TIPPETT INTERVIEW | MAKING THE STOP-MOTION EPIC MAD GOD

Back in July I interviewed the legendary Phil Tippett about his derange, stop-motion animation movie MAD GOD.

You can watch it here:

https://www.youtube.com/watch?v=18tHatZftm4

And the full Screen Realm piece is here:

https://screenrealm.com/phil-tippett-interview-mad-god/




MAD GOD TRAILER

The trailer for MAD GOD on Shudder Australia / New Zealan has quotes from such luminaries as Guillermo del Toro, Kathleen Kennedy and… me!! 

This was a surreal, but very cool thing to wake up to back in June.

https://www.youtube.com/watch?v=jas8OABbn0Y



Tuesday, 25 October 2022

IT FOLLOWS (full article at The Guardian Australia)

The central idea of It Follows is simplicity itself: a creature stalking you slowly, relentlessly, with no obvious motive other than to ‘get’ you. It feels like the basis of a playground game. Yet combined with the deadly consequences, and executed to heart racing perfection by writer / director David Robert Mitchell, It Follows is one hundred minutes of heebie-jeebie inducing tension. 

Jay (Maika Monroe) goes on a seemingly pleasant date with her new boyfriend, Hugh (Jake Weary), but after having sex discovers she is being stalked by a terrifying and homicidal entity. There are a set of rules imparted to Jay, that if she can follow, might just keep her alive. 

Read the full article at The Guardian Australia:

https://www.theguardian.com/film/2022/oct/26/the-best-horror-films-of-the-21st-century-you-cant-go-past-it-follows

IMDB: It Follows


Tuesday, 11 October 2022

PROJECT WOLF HUNTING (full review at Screen Realm)

Project Wolf Hunting is a genre switching action / horror blitz from South Korean director Kim Hong-sun. It’s bloody and visceral and over the top, but sadly, lacks focus and outstays it’s welcome by the end.

Forty seven criminals, arrested in the Philippines, are to be transported back to South Korea by boat. They are loaded aboard a cargo ship - The Frontier Titan – with twenty detectives and a two person medical team.

Of course, things don’t go as planned and the crooks are quickly sprung by gang members posing as the ship’s crew. As the cops and criminals wage a pitched battle across the boat, something is awoken in the bowels of the ship and Project Wolf Hunting shifts from bloody action movie to super bloody horror film.

Read the full review at Screen Realm:

https://screenrealm.com/project-wolf-hunting-movie-review/

IMDB: Project Wolf Hunting

Wednesday, 28 September 2022

THE UNTAMED (La Región Salvaje) (full article at The Guardian Australia)

Amat Escalante’s The Untamed, aka La Región Salvaje (The Wild Region), is an unusual blend of social realism and Lovecraftian tentacle horror that sounds almost absurd when surmised aloud. Yet it is a unique movie, both original and compelling, which you certainly won’t forget it in a hurry.

Alejandra (Ruth Ramos) is trapped in an unhappy marriage to Ángel (Jesús Meza), who is angry and bad tempered and, as it turns out, having an affair with her brother Fabián (Eden Villavicencio). Fabián is wracked with guilt for betraying his sister, while Ángel’s self-loathing boils over with increasingly nasty displays of homophobia and aggression.

In the countryside, just outside of town, an older couple is keeping an extra-terrestrial creature in their barn. Verónica (Simone Bucio) visits the barn to have sex with the creature (yes, you read that correctly, I said you won’t forget this film). However, the alien becomes increasingly violent and in their most recent encounter Verónica is badly injured.

THE FLY (full article at The Guardian Australia)

Throw a rock at David Cronenberg’s back catalogue and you’re going to hit something dark, nauseating and probably a bit deviant. His latest movie, Crimes of the Future, is just the same, arriving in Australian cinemas almost exactly 36 years after the release of his icky body horror classic The Fly.

Proving itself an exception to the commonly held belief that all remakes are inferior, The Fly is a tight 96 minutes of vomit-soaked bedlam, as Jeff Goldblum inadvertently mutates himself into an ill-tempered insect. On its deeper level, you might want to ponder The Fly as a disease allegory, or perhaps a stern warning against scientific hubris – or maybe you’re just a sick puppy who wants to see a bloke’s hand dissolve in acidic fly puke. They’re all fine reasons to revisit the film which, for my money, is Cronenberg’s best.

Read the full article at The Guardian Australia:

https://www.theguardian.com/film/2022/aug/31/the-fly-96-minutes-of-grotesque-vomit-soaked-bedlam-and-david-cronenbergs-best-film

IMDB: The Fly

Saturday, 7 May 2022

WRITERS VICTORIA - FLASH FICTION APRIL 2022

 As with the last two years, April marked the Writer’s Victoria daily Flash Fiction Challenge. The purpose is to write a 30 word short story, based on the daily prompt and once again it was good fun with the Twitter writing community being as inventive and supportive as ever. This year, I did not manage a story every day. COVID-19 threw a spanner in the works, which was not fun. But I was also working on a longer short story, two pieces of other writing and my day job at the same time, which meant a few days got missed. On the final day, for the first time since I started doing this in 2020, I flat out could not think of an idea! 

All the daily winners can be found at the Writers Victoria website here:

https://writersvictoria.org.au/flash-fiction-2022/

Collected here, are my entries for this year’s contest. Twenty three tales of spiralling doom, unrelenting morbidity and deviant science. Where lycanthrope dentists run amok, where interstellar capitalism ruins lives (just like real capitalism); where Necromancers forget their instructions and Santa is a litigious bastard.  So prepare yourself, traveller. Open your mind to the strange and the weird. Cross the cosmic threshold and feast on the twisted, corrupted wonders inside…


HINT – 1 April 2022

With hindsight, I ignored the hints: no appointments on a full moon, suspicious allergy to silver, killed all those sheep. I just never thought my dentist could be a werewolf.


PYRITE – 2 April 2022

As instructed, I gripped the lumpen nugget of pyrite, focussed on my energy centres and closed my eyes tight. When I opened them, he’d stolen my tent… and my dog.


GLOW – 3 April 2022

Our interstellar visitors stepped from their glowing spacecraft, and were immediately electrocuted in the light evening drizzle. Apparently, beings of pure light and energy do not react well to water.


FORTUNE – 4 April 2022

Earth soil is worth an absolute fortune on Klebmar. Goddamn space millipedes keep digging it up to sell on Space eBay. All I can do is leave ‘em bad feedback.


IDOL – 5 April 2022

The pentagram was drawn, the candles lit and the sacrificial blood spilled across the transdimensional portal. We were awaiting The Traveller, when we realised… Trevor forgot to bring the idol.


INTERMITTENT – 6 April 2022

Space Slug control need not be unpleasant. My advice? Lean into it. Initially, loss of free thought will be intermittent, but soon enough your mind will go ‘full gastropod’


BRIGHT – 7 April 2022

Earth-17 underwent Planetary Relocation because their Sun was (apparently) “too bright.” They were re-orbited around a gas giant, but immediately complained it was “too stinky.” Rich people are never happy.


MOON – 8 April 2022

“Dry your tears Timmy. Remember, when you look up at that moon tomorrow, even though I’m not here I’ll be doing the same thing… right before I blow it up.”


PERCEIVE – 9 April 2022

“Despite my name, bone fide invisibility is patently impossible. I simply ‘persuade’ your brain you can’t see me. And Marketing just felt ‘The Unperceived Man’ wouldn’t test well.”


TWINKLE – 10 April 2022

Your honour, counsel agrees my client’s eyes ‘twinkle’ delightfully. However, his belly does not shake ‘like a bowl full of jelly’ and we will be seeking damages to that effect.


SEQUIN – 11 April 2022

The Fancy Killer, who terrorised the city for months, was finally apprehended when a single sequin from his bedazzled strangling gloves, was found in the gullet of his final victim


SHIMMER – 12 April 2022

The lake shimmered in the afternoon sun. Family picnics buzzed with spring optimism. Birds sang. Children laughed. Until the bloated, toothless corpse of an unidentified state witness breached the surface.


ALTAR – 13 April 2022

Most other cults spend all their money on expensive altars, forgetting you can’t summon a Goat Lord on an empty stomach. That’s why we always budget well for apocalypse catering.


HORIZON – 14 April 2022

We were stationed near that black hole, which we couldn’t see, because no light escapes. It took us two months to realise the event horizon was in the opposite direction.


SUBDUED – 15 April 2022

He thought Bigfoot was subdued, but he never got the full three count. He surprised him with a double suplex, pinned him and Bigfoot was crowned World Sasquatch Wrestling Champion


OASIS – 16 April 2022

Human brains are succulent. Of the billion minds we have subsumed, they are an oasis. My larva thirst. They will find water here. Humanity’s parched consciousness scattered to the void 


DAPPLE – 17 April 2022

As his face became dappled with the fluorescent buboes of the Martian Plague, there was nothing left to do other than admire the terrifying beauty of a toxic universe. 


BLINK – 19 April 2022

On your first day as an interstellar zookeeper you must establish dominance. Stare the creatures down. Blink first and you’re liable to get your throat torn out by Space Gerbils


HOPE – 23 April 2022

They said you can’t put a price on hope. But we wrote an algorithm to simulate hope in robots and it sold quite nicely. The price of hope is $99.95


SPARKLE – 25 April 2022

The Fancy Killer got the chair but crime scenes across the city continued to sparkle. His valet continued his work. Turns out, for once, the butler actually did it.


SOFT  – 27 April 2022

He went soft in his later years. Acquiring a conscience. Muttering regrets about making people cry. But we never forgot. He was the most thrilling Evil Hypnotist in the business.


FLASH  – 28 April 2022

Weirdly, I felt the strike first, then I hit the ground, THEN I heard the thunder. Also weird: the smell of your own flash fried skin is kind of chicken-y.


EYE  – 29 April 2022

Interviewer: Mr Cyclops, what would you say is your biggest weakness?

Mr Cyclops: Most people assume it’s having one eye, but actually, I can’t do maths without a calculator.


Missed Days

18 April 2022

WAVER – 20 April 2022

GOLD – 21 April 2022

SCINTILLATE – 22 April 2022

INKLING – 24 April 2022

NEON  – 26 April 2022

GLIMMER – 30 April 2022


Wednesday, 20 April 2022

THE WITCH (full article at The Guardian Australia)

Robert Eggers’ new movie, The Northman, arrives in Australian cinemas this week. In order to get prepped for this bloody tale of Viking vengeance, check out his unsettling horror debut The Witch: a folk horror movie that does not rely on gore to terrify the audience, but instead gradually worms its way under your skin to slowly unnerve you. It’s not the plunge from the top of the rollercoaster but a slow drive down a dark, country lane.

Set in 1630, a Puritan settler family are banished from their New England village after a heated religious argument in the colony. Isolated theologically and physically, patriarch William (Ralph Ineson) moves to the edge of a vast, dense forest with his family: wife Katherine (Kate Dickie) and their children Thomasin (Anya Taylor-Joy), Caleb (Harvey Scrimshaw), twins Mercy and Jonas (Ellie Grainger and Lucas Dawson), and infant Samuel. But nature is unforgiving and the family’s crops fail. Suddenly, while under Thomasin’s care, baby Samuel disappears, stolen by a witch who dwells within the forest.

Read the full article at The Guardian Australia:

https://www.theguardian.com/film/2022/apr/20/the-witch-robert-eggers-folk-horror-debut-worms-its-way-under-your-skin

IMDB: The Witch