Sunday 18 October 2020

THE SPIRIT OF INSMOUTH - FURIOUS FICTION - AUSTRALIAN WRITERS' CENTRE - SEPTEMBER 2020

This is my September entry for the Australian Writers' Centre's Furious Fiction competition. Once again, I wanted to try something a little different, so I approached this as if it were a lost H.P Lovecraft tale and tried to write it in a similar style. For those unfamiliar with Lovecraft, Innsmouth and all the Cthulhu stuff is lifted straight from his work. In retrospect I probably should've made that a bit more obvious. Nevertheless it was fun trying to recreate that feeling of dread and strangeness that characterise his weird tales, and the end result entertained me - which is the point of the whole endeavour. I hope you dig it too.

The rules:
In addition to the 500 word maximum and a three day window to write it, the rules for September were:

Each story had to be INSPIRED by the picture below. 

Each story’s first word had to begin with the letters SHO.

Each story had to include the following words: SCORE, SLICE, SPRINKLE, STAMP and SWITCH (s/ed variations were allowed)


 

THE SPIRIT OF INNSMOUTH

Show me that picture again? It’s funny in a morbid kind of way, because that life ring there in the centre is the only thing left of The Spirit of Innsmouth.  She was a fine vessel. None better, in many ways. Although in other, more accurate, ways there were many better vessels. For example, the ones that didn’t have a Cthulhu Cult in the engine room. The ones that didn’t summon the Great Beast two hours and forty five minutes into their maiden voyage. Those vessels, most people would agree, were better.

Still, there are no official cruise ship rankings, as far as I’m aware, and I can speak with authority to the fact that those first two and a half hours were a largely pleasurable cruising experience, full of excitement and anticipation and glasses of champagne and a wonderful sunset. That last fifteen minutes though? I’ll be honest with you, my mind begs me to forget it. For better clarity (and insurance purposes) let us switch to my journal’s attestations…

As the sun went down and darkness enveloped the ship, we heard a strange noise emanating from the lower decks. A rhythmic pounding, as if a multitude of feet were stamping on floor, and a sinister chant that cut through the rumble.

It was no language I had ever heard on my travels, and I am well travelled as I’m sure you are aware. Of course I know now, it was that ancient and blasphemous tongue. The language of the damned, in which the accursed Book Of The Dead, Necronomicon, was scribed in blood.  Over and over it was recited. A hypnotically syncopated mantra that continued as the sky above cracked. It went:

 

 “CTHULHU R'LYEH"

 

Lightning momentarily illuminated a perilous sea that had only moments before, been as calm as a summer’s eve. My fellow passengers took quickly to panic. Their screams haunt my unconscious moments, still. Alongside dreams of the Great Beast. The Captain ran out upon the deck, hair torn from his head in clumps, a gibbering madman. Mesmerised, he stepped from the prow of the ship into the broiling waters afore.

The seas shifted, a whirlpool materialised beneath us as an ancient leviathan awakened and stirred in the deep. In an instant I knew our ship was done for.  A score of tentacles sliced through the churning brine, rising from that dread sea and landing abreast of me on deck. I dived for the life ring (in that very picture), but the others were not so fortunate. As I dove overboard, taking my chances in the furious waters, I saw those tentacles tear human beings asunder, sprinkling blood and innards across the pristine bow of our once proud cruise liner.

The stricken vessel, now partially sunken, spun on its axis before multitude tentacles dragged it to the depths. I swam for my life to avoid the undertow and I am sure it is good fortune alone that allowed me to wash ashore with my life intact.

Tuesday 6 October 2020

UTOPIA (full article at The Guardian Australia)

This is my first time writing for The Guardian Australia website, which is very exciting. I have a piece on Dennis Kelly's brilliant UK conspiracy thriller, Utopia, at the link below.


I was first introduced to Utopia on a visit home to the UK in 2013. Not to be confused with Working Dog’s well-loved, deadpan infrastructure sitcom, this Utopia is Dennis Kelly’s weird, dark and idiosyncratic conspiracy thriller. I was hooked from the opening sequence. Over the course of three days, I binged the entire first season and was blown away.

Utopia is one of the most powerful and electrifying pieces of television I’ve seen. At the time of that first watch, I duly expected it to feature on “best of TV” lists for years to come, alongside the likes of The Wire, Breaking Bad or The Sopranos, of which Utopia is more than an equal. It was quite a surprise then to learn that Utopia existed only as a cult hit (albeit one with fervent fans), was dismissed from its home on the UK’s Channel 4 after only two seasons, and remains criminally under-seen almost everywhere else, including in Australia.


Read the full review at The Guardian Australia:
https://www.theguardian.com/culture/2020/oct/07/utopia-one-of-the-decades-most-electrifying-and-criminally-under-seen-thrillers


IMDB: Utopia

Saturday 3 October 2020

BY NIGHT'S END (full review at Screen Realm)


Heather (Michelle Rose) and Mark (Kurt Yue) have just moved into a new house, following the loss of their daughter. Michelle is a former army sergeant, working a job she dislikes, and Mark is unemployed and their financial situation is strained. They awake in the middle of the night to find themselves confronted by a home invader, who promises them $10,000 if they let him go. Predictably, you just can’t trust burglars these days, and in an ensuing struggle Michelle shoots him dead.

Mindful of their precarious finances, Mark concludes there must be money hidden somewhere within the house and suggests they withhold calling the police for an hour in order to search for it.  Duly convinced, Heather and Mark set about searching their new property until an accidental discovery reveals the home invader was not alone and they are trapped inside by his accomplice, Moody (Michael Aaron Milligan), who is not prepared to walk away.

Read the full review at Screen Realm:
https://screenrealm.com/by-nights-end-movie-review-an-entertaining-indie-home-invasion-thriller/

IMDB: By Night's End