Tuesday 29 September 2020

SPUTNIK (full review at Screen Realm)

Sputnik is a Russian science fiction / horror movie, and the first feature from director Egor Abramenko.

Sputnik is set in the USSR in 1983. Tatyana Klimova (Oksana Akinshina) is a psychiatrist, prone to go to unconventional lengths in order to get results. She is approached by Colonel Semiradov (Fedor Bondarchuk) and asked to assess the mental health of a cosmonaut, Konstantin Veshnyakov (Pyotr Fyodorov), in the aftermath of an orbital mission.

Tatyana agrees and travels to an isolated military base in Kazakhstan. All is not as it first seems and it soon becomes clear that Konstantin has returned to Earth with an uninvited visitor – a parasitical alien that lives inside his body cavity and emerges at night to feed. Tatyana must devise a way to separate the pair before Konstantin’s health becomes too reliant on the presence of the alien.

Read the full review at Screen Realm:
https://screenrealm.com/sputnik-movie-review-russia-scifi/

IMDB: Sputnik

Wednesday 23 September 2020

VEROTIKA (full review at Screen Realm)

Glenn Danzig, for those unawares, is the founder of punk legends The Misfits, Samhain and his eponymous metal band Danzig. Meaning he’s responsible for some of the finest punk tunes ever put to vinyl, as well as the odd heavy metal classic, to boot. It would therefore be a disservice to describe his music as anything other than iconic.

Having founded his own horror comic line (on which Verotika is based) and generally immersing his entire musical output in the horror and science fiction genres, it seems only natural that he should direct a horror movie. But unfortunately, what he’s delivered with Verotika is not going to win Danzig the same kind of acclaim.

Verotika is a three part horror anthology, interlinked Tales From The Crypt style, by a narrator (Kayden Kross). It is going to be a nightmare for the review aggregators because it is simultaneously worthy of both five stars and one star. Verotika is dreadful, but in such a bizarre and lunatic way that it really must be seen to be believed.

Read the full review at Screen Realm:
https://screenrealm.com/verotika-movie-review/

IMDB: Verotika


Sunday 20 September 2020

CATERING TO THE RICH - FURIOUS FICTION - AUSTRALIAN WRITERS' CENTRE - AUGUST 2020

This is my entry for the Australian Writers' Centre's Furious Fiction contest in August. This month was a tough one and my head really wasn’t in it at all. Still, I managed to put it all together on the Sunday and tried something different by stepping outside of my comfort zone, leaving the science fiction and weirdness on the stove for this month.

As a general rule, writing under pressure, or forcing myself to create something rarely yields a good result for me. But this didn’t turn out too bad at all and I still quite like it.

The rules:

In addition to the 500 word maximum and a three day window to write it, the rules for August were:

Each story had to contain HUMOUR/COMEDY of any kind.

Each story had to include the words: DIZZY, EXOTIC, LUMPY, TINY, TWISTED.

Each story had to include a SANDWICH.

 

CATERING TO THE RICH

I used to work at that fancy hotel in the city. The big joint with the exotic banquet hall. Fancy events were nothing new if you worked there – movie premieres, political fundraisers, celebrity wedding receptions and, one time, a presidential banquet. The night in question was some kind of high-end fundraiser and the money was fantastic. The security clearance alone took three months.

My boss, Mr Allison, was making some noises about my taking on more responsibility, but to be honest I was trying to nip it in the bud. Catering was not my dream, you know? I play guitar. Anyway, I’m hardly through the door when he approaches me. He’s wearing a tuxedo and he’s looking pretty swish, but you could see the stress pulsating behind his eyes. Looked like he was going to blow a gasket at any second.

“When everyone is seated I need to you take that platter in and be *extremely* careful with it,” he gestured to a benchtop nearby and large silver dish, covered with a glass klosh. Packed underneath it were a multitude of small, precisely cut sandwiches.

“Sandwiches?” I asked. “These hoity toity bigwigs are gonna eat sandwiches? They’re tiny!”

“These aren’t just any sandwiches, kid. These are the most expensive sandwiches in the world. Each one of ‘em costs a thousand dollars.”

“A thousand dollars? What, are they made of gold?”

“Actually, yes. Well done,” he said. The sarcasm in my reply bypassing him completely.

“They’ve been made with edible gold leaf and vintage champagne bread and caviar and, apparently, the most expensive cheese in the world.”

“Expensive cheese, huh?”

“Yes, so please be extra careful when you take them out.”

And I *was* extra careful. Honestly. But not before gastronomic curiosity got the better of me and I did what any one of you would do in the same situation – I ate five of those tiny suckers.  And since you’re probably wondering, I can say with more than a hint of irony – they tasted very rich.

Too rich, as it turns out.

I wasn’t more than five metres into the hall when I realised something was very wrong. It started with the sweats. Mild at first, but gradually increasing with every step until I arrived, drenched and weak, at the centre table. I started to feel dizzy, like something had twisted my intestines into a fist, which was now trying to punch its way out of my stomach. The back of my throat tasted like electricity.

 

I vomited.

I projectile vomited, to be exact

 

Several thousand dollars’ worth of lumpy, half-digested sandwich, strafed around the room in every direction, raining down upon the assorted CEOs, politicians and dignitaries in attendance. Partially eaten caviar sprayed like buckshot across the walls and the world’s most expensive cheese, liquefied in my stomach, now dripping off the mayor’s toupee.

To nobody’s surprise, I lost that job.

Eat the rich, they say? Take my word for it, it’s far more fun puking on them.