So here we are finally, from the very first seeds of the idea sown in Nick Fury’s post-credits appearance in Iron Man, through the end credits pay offs in every one of the Marvel canon’s movies that followed, The Avengers movie is upon us. Opening to megabucks and global fanfare the question that wants answering is “Is it any good?” and the answer flat out is “Damn right it is”!
Carrying on story threads from both Thor and Captain America, the plot follows the creation of the Avengers team to defend the Earth against Thor’s brother Loki; who plots to invade and conquer the planet with a little help from the Chatauri and the Tesseract, the source of unlimited power that the Red Skull craved in Captain America. The action kicks off right from the word go as Loki pinches the sparkly power cube from S.H.I.E.L.D h.q. and Nick Fury (Samuel L Jackson) finds his only real means to get it back, and effectively save the planet is to resurrect the dormant Avengers Initiative and compile a team of the Earth’s Mightiest Heroes as our last line of defence. Iron Man, Captain America, Thor, The Hulk, Black Widow and Hawkeye are all signed up and get to throw down in the streets and skies of New York as the alien horde arrives.
The key to Marvel’s adaptations has been in their near perfect casting choices for their heroes. There is no doubting the characters are great. Years of comic book storylines and legions of fans are testament to that. So the casting for these iconic superheroes has had to be spot on and they’ve nailed each and every one.
Downey Jr’s take on Tony Stark is still amazing. Narcissistic and arrogant, yet somehow Downey Jr makes these into likeable qualities and you’re rooting for him every step of the way. Iron Man paved the way for this movie and it must be said, the first Iron Man is still my personal favourite. With the Iron Man series Marvel has created the very best of the superhero genre and in the Avengers it’s just business as usual. He cannot put an iron clad foot wrong.
Chris Hemsworth as Thor is equally great. Thor was hugely enjoyable in its own right and he brings an amiable pomposity to the God of Thunder that’s hard to dislike. Some of his ridiculous Asgardian dialogue and speech mannerisms could have faltered were his conviction and believability not one hundred percent.
Chris Evans plays Captain America perfectly. Of all the Avengers, Captain America obviously had the potential to fall prey to hokey American patriotic fervour and was perhaps the one potential stumbling block for transferring the characters from page to screen. Fear not however, as Cap rises to the challenge as always. Cap is a man out of time. Old tyme values in the modern age. The emphasis is always on him being a good guy doing the right thing rather than any notion of overt nationalism (other than y’know, the costume, the shield and the name!).
Scarlett Johansson returns as Black Widow, first seen in Iron Man 2. A master of interrogation and a deadly fighter, she is also very good in this. Her introductory scene in particular is a lot of fun, as she turns the tables on some low life interrogators, calmly dispatching them with some crunchy, brutal fisticuffs; And Jeremy Renner, reprising his role from Thor as the conflicted, archery obsessed Hawkeye, plays a blinder with one of the lesser known heroes.
Finally we get to The Hulk. What to say about The Hulk? I am fond of Ang Lee’s movie. It is flawed, but underrated nonetheless. The Norton starring Incredible Hulk was also decent, if unremarkable. But The Hulk in the Avengers gets the best treatment of all. Mark Ruffalo is a revelation as Banner. He is PERFECT, and the most enjoyable parts of a movie that is more or less TOTAL enjoyment, fall to The Hulk. To say precisely why the Hulk is so great would be to give away some of the best moments, but suffice to say the scrap he has with Thor and his face off against a gigantic enemy are highlights of the whole film. If nothing else, go along to this movie and feast your peepers on the rampaging Hulk smashing aliens to bits. Incredible.
The excellent Tom Hiddleston returns as Loki, the seething, petulant brother to Thor. Sly, cunning, and pulling the strings of megalomaniacal World dominance, he is a fantastic villain and perfect for this.
Stellan Skarsgard and Gwyneth Paltrow are on board as their respective characters from Thor and Iron Man, and although their parts are diminished this time around it’s fantastic they are present for the continuity of the movie and the Marvel universe. All the boxes are ticked and the details considered. They leave nothing out – even going so far as to explain the absence of Jane (Natalie Portman’s character from Thor) from the action.
One of the real joys to this movie is that no character feels left out. Many times with larger ensemble movies, some characters in a large cast need to take a back seat (even my beloved Star Trek has fallen victim to this on occasion), but that is not so here. Nobody gets lost in the mix. All the main Marvel heroes serve the story well without feeling like they are there merely to be included. They each have their own arcs from Iron Man to Hawkeye to Agent Coulson and everyone has something to do and to contribute. And on top of all that they don’t skimp on using Loki either. Everything is evenly balanced and calibrated and the credit for that must go to Joss Whedon.
Whedon knows his onions. This is fact. To be honest I’m not much of a Buffy fan (from series 3 it all started to go a bit pear shaped for my money), but Firefly/Serenity is masterful science fiction and my hat is most definitely off to the man for that. He tests his mettle here with the Avengers and juggles multiple character arcs with raucous action that provides giddy excitement. Moreover it is funny. The tone is light without being too insubstantial, and the dry sense of humour that runs through the likes of Firefly and Buffy has found a comfortable home here alongside some more overt genuine belly laugh slapstick.
It’s a strong movie indeed. Again, its appeal is probably that this is one for both the fans and the casual Marvel dabbler, as well as your average Joe Cinemagoer. What’s all the more impressive is that although it certainly helps to have seen the other films, Thor and Captain America in particular lend a lot of character and story strands, you don’t HAVE to have seen them to be able to understand it on its own.
To call something ‘a popcorn movie’ or a ‘blockbuster’ seems almost like a dirty word these days, but maybe that’s because they so rarely deliver on their promise. The Avengers takes back the blockbuster and delivers… and then some.
I’ve seen it twice already (it’s been out 2 weeks), and I would go again. Make of that what you will!
IMDB: The Avengers
Since the official poster is beyond appalling, and far and away the worst thing about the movie (Iron Man and Captain America unmasked on a badly photoshopped mess) here is a way better version from poster god Tyler Stout.
Showing posts with label Thor. Show all posts
Showing posts with label Thor. Show all posts
Tuesday, 8 May 2012
THE AVENGERS
Labels:
Avengers,
Black Widow,
Captain America,
Hawkeye,
Hulk,
Iron Man,
Joss Whedon,
Marvel,
Thor
Wednesday, 4 January 2012
REVIEW OF 2011
Ok so it’s time for the old annual review of the year here at Reel Important. The following thirteen films are my favourites from 2011. I couldn’t narrow it down to a Top 10, and the rough order of preference is likely to fluctuate at any given moment. Anyhow, these here are this year’s best to my reckoning. A couple of these have not had reviews on the blog yet, but are likely to follow.
1. Super
2. Submarine
3. True Grit
4. 13 Assassins (a.k.a. Jûsan-nin no shikaku)
5. Tucker & Dale Vs Evil
6. Melancholia
7. Super 8
8. Beginners
9. X-Men: First Class
10. The Trip
11. Attack The Block
12. Captain America
13. Thor

4. 13 Assassins (a.k.a. Jûsan-nin no shikaku)
Takashi Miike’s awesome samurai scrap sees the eponymous 13 Assassins sent on a suicide mission to kill a brutal feudal warlord. Thrillingly exciting and joyously violent, Mr Miike considers it a ‘family film’. Despite what he says, don’t take your Nan to see it.

(I still have a review of this that’s only about ¼ completed. I hope it sees the light of day in 2012)
Other films I enjoyed from 2010, too late to make it on to last year's list, included Alexandre Aja’s grisly Piranha reboot; Emma Stone comedy vehicle Easy A, replete with Stanley Tucci scene-stealing; and Sally Hawkins proving that it is flat out impossible for her to make bad film, with the warmly enjoyable Made In Dagenham.
1. Super
2. Submarine
3. True Grit
4. 13 Assassins (a.k.a. Jûsan-nin no shikaku)
5. Tucker & Dale Vs Evil
6. Melancholia
7. Super 8
8. Beginners
9. X-Men: First Class
10. The Trip
11. Attack The Block
12. Captain America
13. Thor
1. Super
James Gunn’s fantastically violent and hilarious vigilante / superhero movie. Left me grinning like an idiot and wanting to watch it all over again the minute I stepped outside the cinema.
2. Submarine
Richard Ayoade’s sublime directorial debut. A hugely enjoyable and funny coming of age story, set in 1980’s Wales. Wonderful stuff.3. True Grit
Although technically a 2010 release, the Coen Brothers stunning western hit Australian shores in January so qualifies for the 2011 list. A mesmerising central performance from Hailee Steinfeld either side of the excellent Jeff Bridges and the outstanding Matt Damon made this absolutely riveting stuff. It is nigh-on perfection.4. 13 Assassins (a.k.a. Jûsan-nin no shikaku)
Takashi Miike’s awesome samurai scrap sees the eponymous 13 Assassins sent on a suicide mission to kill a brutal feudal warlord. Thrillingly exciting and joyously violent, Mr Miike considers it a ‘family film’. Despite what he says, don’t take your Nan to see it.
5. Tucker & Dale Vs Evil
Fantastic, funny twist on the college-kids-attacked-by-hillbillies genre. Slipped under the radar of most, yet deserves to be seen by all. Review to follow.
6. Melancholia
Lars Von Trier’s polarising, 2 hour-plus study of a woman with chronic depression, set against the backdrop of catastrophic global annihilation. Dunst, Gainsbourg and Sutherland were all incredible in this movie and I loved it. Review to follow, hopefully.7. Super 8
JJ Abrams and Steven Spielberg channel Stand By Me, Close Encounters and E.T. and come up with a charming, heartfelt coming of age/creature feature medley. 8. Beginners
Endearing comedic drama following Ewan McGregor embarking on a new relationship in the aftermath of his father’s recent death. Warmed the cockles and tugged the heartstrings without being too saccharine.9. X-Men: First Class
Rollicking good fun origin story; shifting the excitement meter back into territory last seen in X-Men 2, and helping aid the suppression of X-Men 3 and Wolverine memories.(I still have a review of this that’s only about ¼ completed. I hope it sees the light of day in 2012)
10. The Trip
BBC TV series pared down to feature length. Steve Coogan and Rob Brydon traverse the Lake District in a 4x4, eating in posh restaurants and trying to outdo each other’s Michael Caine impressions (sounds like an Alan Partridge TV pitch!). Gently hilarious. It made me miss the U.K.11. Attack The Block
Joe Cornish of Adam & Joe fame directs his debut movie, as a bunch of London kids defend their estate from alien attack. Played out as more serious sci-fi than broad comedy, and with a set of principal characters that are largely hard to like, it defied some expectations and garnered some not undeserved comparisons to early John Carpenter.12. Captain America
Marvel geared itself up for the Avengers with a nifty, Red Skull smashing, WWII winning, origin story spectacle that laid off any distasteful patriotism in favour submarine punching heroics and 1940’s ‘derring-do’!13. Thor
Flash Gordon-lite as Hemsworth, Hopkins, Skarsgard and Portman make a fine fist of one of Marvel’s less appealing heroes. It’s no Iron Man, but it is another splendidly entertaining entry in the Marvel canon. (Another half finished review lurks, unpublished, on this blog.)Honourable mentions:
I enjoyed the slow burn adaptation of Murakami’s Norwegian Wood; Snowtown, although very good indeed, just failed to make my list on account of the fact it is so grim I can’t imagine when I would want to sit down and watch it again; Natalie Portman going berserk in Darren Aranovsky’s Black Swan was certainly of note; The Inbetweeners Movie was a fitting swansong, although let’s be quite clear that the whole thing has run its course now; and Rise of the Planet of the Apes soothed away the pain of Tim Burton’s ill conceived remake.Other films I enjoyed from 2010, too late to make it on to last year's list, included Alexandre Aja’s grisly Piranha reboot; Emma Stone comedy vehicle Easy A, replete with Stanley Tucci scene-stealing; and Sally Hawkins proving that it is flat out impossible for her to make bad film, with the warmly enjoyable Made In Dagenham.
Worst: The Future
I’m not sure that I can properly convey, within the confines of the English language, just quite how much I despised The Future. Having been utterly revolted by it at M.I.F.F. this year, the reviews upon its general release seemed to be largely positive, thereby proving beyond any doubt that people have absolutely no taste whatsoever. It is the nuclear bomb of cinema – humanity wishes it could be uninvented because we are stuck with it and it’s ruining lives. A strong, strong contender for being quite possibly the worst film I have ever seen (bearing in mind that I HAVE seen Crash).
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