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Additionally it had allegedly been reviewed in a local paper as moving beyond its clichéd premise. And it is at this point that I should point out that the story was as utterly hackneyed as is possible to get. At no point whatsoever did it even dare to suggest it might move away from its thoroughly leaden and predictable direction
In the spirit of full disclosure I should admit that it was not entirely unfunny. There were one or two amusing moments – such as Owen Wilson’s cack handed attempt at a chat-up line. The movie also ends with a superb Stephen Merchant sequence which I won’t say anything about lest I spoil the only pleasure this movie has to offer. My advice, if you MUST go see this, is just pop in at the end and watch the last 2 minutes.
Talking of Stephen Merchant, whilst it is indeed nice to see him getting some recognition, he is well and truly slumming it here. And what’s more, he’s not the only one. Owen Wilson co-wrote Rushmore for goodness sake! The same man who is partly responsible for the peerless The Royal Tenenbaums also starred in this piece of shit. Just let your brain process that one for a second, and try not to implode.
Also worthy of note is the presence of Leon from Curb Your Enthusiasm, which on the face of it, ought to be dynamite having him in a Farrelly Brothers movie. Disappointingly he is given nothing to do and after a while you just plain forget he’s in it.
Finally we come to Jason Sudeikis as the sidekick/best friend character. I have no idea who he is. Never seen him in anything before, but IMDB reliably informs me that he was in 30 Rock and Saturday Night Live. Frankly he is a disaster. He simply does not have the charisma to pull it off. Where he should be at least slightly sympathetic in order to get you board for his crude gags, he is merely obnoxious. One hundred percent dislikeable and he never gets back on track.
You can tell how appalling it is going to be by the movie poster. In Drew Struzan’s book (which I hope to review here imminently) he laments the loss of the movie poster as a piece of artwork, replaced as it has been, by a series of floating heads put together by a suit with Photoshop. The poster to Hall Pass is the embodiment of this argument. I mean just LOOK at it! Look at how little effort or thought has been put into this poster. I mean it is just absolute fucking NOTHING. And lo, so is the movie.
Ultimately I don’t suppose you can criticise a film for doing pretty much what you expect of it. But you can certainly criticise all the jerkweeds who conspired to have it made in the first place. The fact that this film can be made at all boggles the mind and if you’ve ever seen Idiocracy then you will know the World has just moved one step closer to seeing ‘Ass’ actually get made!
IMDB: Hall Pass
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