Sunday, 27 December 2020

THE MALEVOLENT SCIENCES CONFERENCE - FURIOUS FICTION - AUSTRALIAN WRITERS' CENTRE - NOVEMBER 2020

This is the short story I wrote for the Australian Writers' Centre's Furious Fiction competition in November. I have to be honest here and admit it doesn't really work. I like the concept a lot and I transferred the weird superhero angle from another story I was toying around with, in the hope it would fit better. 

I think the problem is that the idea is too big for a 500 word story, and I didn't want to admit it, even though I knew it at the time. The idea that we shouldn't quit things is a fallacy, I think. There is value in knowing when to cut your losses. My favourite author is Michael Chabon and when I went to see him speak in Melbourne several years ago he talked about giving up on a sprawling, early novel he had been working on for many years (serving as inspiration, no doubt, for Grady Tripp's behemoth work-in-progress in Chabon's sublime and hilarious Wonder Boys). Not that I'm comparing myself to that level of genius for one second, but if Chabon can recognise the failures in his blood, sweat and tears, then I should certainly be able to trust my instincts and pull the plug on a 500 word short story I know is struggling.

Don't get me wrong, I don't dislike The Malevolent Sciences Conference. While I can't pretend this is the strongest thing I've ever written, there are still ideas and characters in here that I like very much, and it's still better for me to post this story and give it some form of existence, rather than let it remain severed, floating in limbo on my computer forever. So here it is, for better or worse, The Malevolent Sciences Conference.

The rules:
In addition to the 500 word maximum and a three day window to write it, the rules for October were:

LOCATION: Your story must take place at a HOTEL.
OBJECT/PROP: Your story must include a PHOTOGRAPH. (In the story itself – do not send us a photo!)
WORDS: Your story must include the following words: COLLAR, GLOOMY, POLICE, RHYTHM, SAPPHIRE

THE MALEVOLENT SCIENCES CONFERENCE

I was in town for the MSC, or Malevolent Sciences Conference, to use the full name. To stop the spread of misinformation, let me clarify, this is about what the illicitly wealthy call Dark Research and Development.

The police refer to it as the Supervillain AGM, but I take offense. Villainy is in the eye of the beholder and if we’re gathered to challenge conventions of accepted science, why shouldn’t we challenge morality, also?

Where do you think Dr Vampire would be without Dark R&D? His ‘Truth Fangs’ aren’t magic. They inject a serum into a victim’s bloodstream that eliminates discretion. Or Baron von Gravity’s Reverse-O-Tron? Sure, he took credit for those UN delegates’ internal gravity reversal. As a result, The Baron now owns Tahiti. But it was the laboratories that put the hard work in.

With all the various Doomsday Devices on show, there’s a sense these conventions are a little gloomy. But contrary to popular opinion, put a bunch of megalomaniacs in a room together and they know how to have a good time. Lot of laughs and pranks. Last year I used my invisibility gown to steal The Atomizer’s glasses. He couldn’t see anything and inadvertently rearranged thirty-seven convention volunteers at a subatomic level. It was hilarious. And messy.

The morning of the conference is when my breakfast went missing. I am very much a breakfast person. If I don’t eat first thing, I can’t think straight. I get cranky. Everyone knows it.

Room service knocked, set the tray on a table and I went for a quick shower. When I returned, the tray was gone and my room remained locked from the inside. A classic mystery, you might say, were it not for the fact I knew exactly what happened. Monsieur Téléporte – French-Canadian heist expert and master of international matter transfer – was staying in the room next door. He could steal everything his heart desired, but that didn’t stop him from being one tight bastard. That sonovabitch never paid for a meal in his life. So I marched round there to set him straight.

The hotel concierge interrupted me as I was pounding out a pretty good rhythm on Téléporte’s skull. I had tight hold of his collar too, and he was in and out of consciousness. Paramedics later said he turned blue, but it was really more of a sapphire colour, if you want to be accurate.

The concierge handed me a fan of squared paper.

Polaroids.

The Atomizer, seated in front of my breakfast, peering over the rims of his glasses, shit eating grin telling me I’d made a big mistake. A series of other photos showing he was staying in the room above mine,  his rearranged form blending through the ceiling, stealing my breakfast, emptying the mini-bar like some kind of smug poltergeist.

Fortunately Monsieur Téléporte wasn’t too sore about it. I sweetened things up with a loan of my invisibility gown and we shook hands. Next year I’m staying in a motel.

Tuesday, 22 December 2020

WHITE LIE (full review at Screen Realm)

Katie Arneson (Kacey Rohl) is lying about having cancer. A popular student on her college campus thanks to her fundraising efforts and positivity, Katie is running a Crowdfunder scheme for her treatment and is applying for financial aid from her college. She is lying to her girlfriend Jennifer (Amber Anderson), her friends and to everyone.

Katie pretends to receive chemotherapy, starving herself and taking fake medication. But events start to escalate out of control when she is required to provide her medical records. As Katie works to sustain the lie, it begins to unravel as more scrutiny is applied, leaving her with little choice but to compound matters with further fabrication.

 

Read the full review at Screen Realm:
https://screenrealm.com/white-lie-movie-review/

IMDB: White Lie

Monday, 30 November 2020

ANYTHING FOR JACKSON (full review at Screen Realm)

Anything For Jackson is an occult horror movie from director Justin G. Dyck and is another small, but effective creeper, using the genre to address themes of grief and loss.

Anything For Jackson’s focus is on the ‘denial’ stage. A mild mannered elderly couple, Audrey (Sheila McCarthy) and Henry (Julian Richings), wracked by the loss of their daughter and grandson, hit upon a plan to resurrect the eponymous Jackson with a little assist from the forces of darkness. They kidnap a young pregnant woman, Becker (Konstantina Mantelos), and imprison her in their spare room. Using a thousand year old book of spells and incantations they plan to hijack the birth, switching the soul of their grandson with that of the newborn. And if that last part sounds a little familiar it’s because it is essentially the same plot as Ghostbusters 2!

Read the full review at Screen Realm:
https://screenrealm.com/anything-for-jackson-movie-review-horror-shudder/

IMDB: Anything For Jackson

Wednesday, 4 November 2020

HIS HOUSE (full review at Screen Realm)

His House is a supernatural horror story and the debut feature from director Remi Weekes.

Bol (Sope Dirisu) and Rial (Wunmi Mosaku) are two refugees from Sudan, granted provisional asylum in the U.K., following a dangerous sea crossing in which their daughter was killed. They move into new house on a run down, garbage strewn housing estate and their caseworker Mark (Matt Smith), provides a box of groceries and not much further help. As the pair settle in to their new home they have a series of supernatural encounters as ghosts appear from behind the living room wall. Rial is convinced it is the work of an Apeth, or Night Witch, who now resides in the house with them. Since their asylum is contingent on Bol and Rial staying in one place, they have no choice but to deal with the Night Witch on their own.

Read the full review at Screen Realm:
https://screenrealm.com/his-house-movie-review-horror-netflix/

IMDB: His House

Sunday, 1 November 2020

ALONE (full review at Screen Realm)

Alone is a survival thriller from director John Hyams, who is probably best known for helming the third and fourth instalments the Universal Soldier franchise. Alone could not be further away from UniSol shoot-em-up-action, as Hyams has delivered a tense and effective game of forest-bound cat and mouse

Jessica (Jules Willcox) is moving across country following a tragedy and having packed her possessions into a trailer, hits the forest lined roads of the Pacific Northwest. Travelling alone and after dark in order to make good time, a road rage incident on an unpopulated highway leaves her understandably shaken. As Jessica continues on her journey she notices the vehicle from the incident at seemingly every stop. Inevitably, the situation escalates and Jessica finds herself in the forest, on the run from the driver (Marc Menchaca). And that’s all you need to know about the plot without entering spoiler territory, but suffice it to say, you should probably give the overly revealing trailer a wide berth.

Read the full review at Screen Realm:
https://screenrealm.com/alone-movie-review-thriller-2020/

IMDB: Alone

Sunday, 18 October 2020

THE SPIRIT OF INSMOUTH - FURIOUS FICTION - AUSTRALIAN WRITERS' CENTRE - SEPTEMBER 2020

This is my September entry for the Australian Writers' Centre's Furious Fiction competition. Once again, I wanted to try something a little different, so I approached this as if it were a lost H.P Lovecraft tale and tried to write it in a similar style. For those unfamiliar with Lovecraft, Innsmouth and all the Cthulhu stuff is lifted straight from his work. In retrospect I probably should've made that a bit more obvious. Nevertheless it was fun trying to recreate that feeling of dread and strangeness that characterise his weird tales, and the end result entertained me - which is the point of the whole endeavour. I hope you dig it too.

The rules:
In addition to the 500 word maximum and a three day window to write it, the rules for September were:

Each story had to be INSPIRED by the picture below. 

Each story’s first word had to begin with the letters SHO.

Each story had to include the following words: SCORE, SLICE, SPRINKLE, STAMP and SWITCH (s/ed variations were allowed)


 

THE SPIRIT OF INNSMOUTH

Show me that picture again? It’s funny in a morbid kind of way, because that life ring there in the centre is the only thing left of The Spirit of Innsmouth.  She was a fine vessel. None better, in many ways. Although in other, more accurate, ways there were many better vessels. For example, the ones that didn’t have a Cthulhu Cult in the engine room. The ones that didn’t summon the Great Beast two hours and forty five minutes into their maiden voyage. Those vessels, most people would agree, were better.

Still, there are no official cruise ship rankings, as far as I’m aware, and I can speak with authority to the fact that those first two and a half hours were a largely pleasurable cruising experience, full of excitement and anticipation and glasses of champagne and a wonderful sunset. That last fifteen minutes though? I’ll be honest with you, my mind begs me to forget it. For better clarity (and insurance purposes) let us switch to my journal’s attestations…

As the sun went down and darkness enveloped the ship, we heard a strange noise emanating from the lower decks. A rhythmic pounding, as if a multitude of feet were stamping on floor, and a sinister chant that cut through the rumble.

It was no language I had ever heard on my travels, and I am well travelled as I’m sure you are aware. Of course I know now, it was that ancient and blasphemous tongue. The language of the damned, in which the accursed Book Of The Dead, Necronomicon, was scribed in blood.  Over and over it was recited. A hypnotically syncopated mantra that continued as the sky above cracked. It went:

 

 “CTHULHU R'LYEH"

 

Lightning momentarily illuminated a perilous sea that had only moments before, been as calm as a summer’s eve. My fellow passengers took quickly to panic. Their screams haunt my unconscious moments, still. Alongside dreams of the Great Beast. The Captain ran out upon the deck, hair torn from his head in clumps, a gibbering madman. Mesmerised, he stepped from the prow of the ship into the broiling waters afore.

The seas shifted, a whirlpool materialised beneath us as an ancient leviathan awakened and stirred in the deep. In an instant I knew our ship was done for.  A score of tentacles sliced through the churning brine, rising from that dread sea and landing abreast of me on deck. I dived for the life ring (in that very picture), but the others were not so fortunate. As I dove overboard, taking my chances in the furious waters, I saw those tentacles tear human beings asunder, sprinkling blood and innards across the pristine bow of our once proud cruise liner.

The stricken vessel, now partially sunken, spun on its axis before multitude tentacles dragged it to the depths. I swam for my life to avoid the undertow and I am sure it is good fortune alone that allowed me to wash ashore with my life intact.

Tuesday, 6 October 2020

UTOPIA (full article at The Guardian Australia)

This is my first time writing for The Guardian Australia website, which is very exciting. I have a piece on Dennis Kelly's brilliant UK conspiracy thriller, Utopia, at the link below.


I was first introduced to Utopia on a visit home to the UK in 2013. Not to be confused with Working Dog’s well-loved, deadpan infrastructure sitcom, this Utopia is Dennis Kelly’s weird, dark and idiosyncratic conspiracy thriller. I was hooked from the opening sequence. Over the course of three days, I binged the entire first season and was blown away.

Utopia is one of the most powerful and electrifying pieces of television I’ve seen. At the time of that first watch, I duly expected it to feature on “best of TV” lists for years to come, alongside the likes of The Wire, Breaking Bad or The Sopranos, of which Utopia is more than an equal. It was quite a surprise then to learn that Utopia existed only as a cult hit (albeit one with fervent fans), was dismissed from its home on the UK’s Channel 4 after only two seasons, and remains criminally under-seen almost everywhere else, including in Australia.


Read the full review at The Guardian Australia:
https://www.theguardian.com/culture/2020/oct/07/utopia-one-of-the-decades-most-electrifying-and-criminally-under-seen-thrillers


IMDB: Utopia

Saturday, 3 October 2020

BY NIGHT'S END (full review at Screen Realm)


Heather (Michelle Rose) and Mark (Kurt Yue) have just moved into a new house, following the loss of their daughter. Michelle is a former army sergeant, working a job she dislikes, and Mark is unemployed and their financial situation is strained. They awake in the middle of the night to find themselves confronted by a home invader, who promises them $10,000 if they let him go. Predictably, you just can’t trust burglars these days, and in an ensuing struggle Michelle shoots him dead.

Mindful of their precarious finances, Mark concludes there must be money hidden somewhere within the house and suggests they withhold calling the police for an hour in order to search for it.  Duly convinced, Heather and Mark set about searching their new property until an accidental discovery reveals the home invader was not alone and they are trapped inside by his accomplice, Moody (Michael Aaron Milligan), who is not prepared to walk away.

Read the full review at Screen Realm:
https://screenrealm.com/by-nights-end-movie-review-an-entertaining-indie-home-invasion-thriller/

IMDB: By Night's End

Tuesday, 29 September 2020

SPUTNIK (full review at Screen Realm)

Sputnik is a Russian science fiction / horror movie, and the first feature from director Egor Abramenko.

Sputnik is set in the USSR in 1983. Tatyana Klimova (Oksana Akinshina) is a psychiatrist, prone to go to unconventional lengths in order to get results. She is approached by Colonel Semiradov (Fedor Bondarchuk) and asked to assess the mental health of a cosmonaut, Konstantin Veshnyakov (Pyotr Fyodorov), in the aftermath of an orbital mission.

Tatyana agrees and travels to an isolated military base in Kazakhstan. All is not as it first seems and it soon becomes clear that Konstantin has returned to Earth with an uninvited visitor – a parasitical alien that lives inside his body cavity and emerges at night to feed. Tatyana must devise a way to separate the pair before Konstantin’s health becomes too reliant on the presence of the alien.

Read the full review at Screen Realm:
https://screenrealm.com/sputnik-movie-review-russia-scifi/

IMDB: Sputnik

Wednesday, 23 September 2020

VEROTIKA (full review at Screen Realm)

Glenn Danzig, for those unawares, is the founder of punk legends The Misfits, Samhain and his eponymous metal band Danzig. Meaning he’s responsible for some of the finest punk tunes ever put to vinyl, as well as the odd heavy metal classic, to boot. It would therefore be a disservice to describe his music as anything other than iconic.

Having founded his own horror comic line (on which Verotika is based) and generally immersing his entire musical output in the horror and science fiction genres, it seems only natural that he should direct a horror movie. But unfortunately, what he’s delivered with Verotika is not going to win Danzig the same kind of acclaim.

Verotika is a three part horror anthology, interlinked Tales From The Crypt style, by a narrator (Kayden Kross). It is going to be a nightmare for the review aggregators because it is simultaneously worthy of both five stars and one star. Verotika is dreadful, but in such a bizarre and lunatic way that it really must be seen to be believed.

Read the full review at Screen Realm:
https://screenrealm.com/verotika-movie-review/

IMDB: Verotika