Monday 19 August 2019

MASTER OF THE SWORD. AVENGER OF THE TRUTH... AND BLIND AS A BAT: WHY BLIND FURY IS AN ACTION CLASSIC (full article at Diabolique Magazine)

With Rutger Hauer’s recent passing, many reflected on a long and varied career that included memorable bad guys (The Hitcher, Nighthawks), heroic warriors (Ladyhawke) bizarre adverts (Guinness, Lurpak) and post-apocalyptic sports dudes (Salute of the Jugger a.k.a. The Blood Of Heroes). It goes without saying that his iconic role as replicant Roy Batty, in Ridley Scott’s tech-noir potboiler, Blade Runner (1982), is the one he’ll be best remembered for.

But another of Hauer’s films that is well worth revisiting, is an action comedy directed by Phillip Noyce (Rabbit Proof Fence, Patriot Games, Dead Calm), with mediocre critical scores and tucked away in the middle of his filmography. Loosely based around the classic Japanese swordplay serial character Zatoichi, but transposed to modern day U.S.A., Blind Fury’s (1989) gloriously simple plot sees Hauer’s blind swordsman, and that kid off Baywatch, facing off against some drug dealers. So while we’re not debating the quality of Blade Runner, forget all that ‘tears in the rain’ stuff for a moment, because what we really want to see is Rutger Hauer mistake an alligator for a pet dog, ‘accidentally’ thrash a barroom full of tough guys and slice some geezers up with a hidden sword.

Read the full article at Diabolique Magazine:
https://diaboliquemagazine.com/master-of-the-sword-avenger-of-the-truth-blind-as-a-bat-blind-fury-is-an-action-classic/

IMDB: Blind Fury

COME TO DADDY (full review at Screen Realm)

Come to Daddy is the debut feature from Ant Timpson, best known for founding New Zealand’s 48Hours film competition and producing Turbo Kid, The ABCs Of Death, and celebrated cinematic irritant The Greasy Strangler. It screened as part of the 2019 Melbourne International Film Festival.

Come to Daddy begins as a classic estranged father story. We meet Norval Greenwood (Elijah Wood) as he arrives on the doorstep of his father’s remote (and architecturally bold) clifftop pad. Norval is responding to a letter received from his father, suggesting a reconciliation, and pays a visit to the man he has not seen since he was three years old… to say they don’t hit it off is something of an understatement.

His father (Stephen McHattie) is annoyed, belligerent and frequently drunk. Norval is understandably uncomfortable and matters are compounded when he is caught in a lie, trying to impress his Dad. It doesn’t take long for events to come to a head

Read the full review at Screen Realm:
https://screenrealm.com/come-to-daddy-movie-review-elijah-wood/
IMDB: Come To Daddy