Friday 29 March 2019

VELVET BUZZSAW (full review at Screen Realm)

Velvet Buzzsaw is Dan Gilroy’s third directorial effort and sees him reuniting with Nightcrawler alumni Jake Gyllenhaal and Rene Russo. Nightcrawler was a seedy, darkly comic delight, as Gyllenhaal trawled the streets of L.A. in search of salacious traffic accident material, with a script that spun his moral compass as if exposed to magnetism. In between, Gilroy wrote and directed Roman J. Israel, Esq. (with Denzel Washington) and co-wrote the screenplay for the hugely enjoyable Kong: Skull Island. So with such a diverse and enjoyable pedigree, it’s fair to say expectations were high for Velvet Buzzsaw’s Netflix debut.

Pompous art critic Morf Vandewalt’s (Jake Gyllenhaal) endorsements are highly sought after. He is a man with the power to make or break artists in the Los Angeles art world. So when Morph’s girlfriend Josephina (Zawe Ashton) comes to the aid of a dying man, Vetril Dease (Alan Mandell), and discovers a huge amount of artwork in his apartment, she shows it to Morph and her boss Rhodora Haze (Rene Russo) believing she has discovered a massive unknown talent. With the weight of Morph’s influence and Rhodora’s gallery behind it, Dease’s work sets the art world alight and becomes a huge success. Shortly after this success however, the owners of the paintings start to die under mysterious circumstances.

Read the full review at Screen Realm:
https://screenrealm.com/velvet-buzzsaw-movie-review-netflix/

IMDB: Velvet Buzzsaw

DREAM HOME (full article at Diabolique Magazine)

Home ownership is not a new subject for the movies. In horror, for example, the haunted house is one of the most well established and popular sub-genres. But there are precious few movies about the horror of actually buying a house. Most likely because people carping on about house prices is deathly boring to anyone in their right mind. However, Pang Ho-Cheung’s Dream Home (Wai dor lei ah yut ho, 2010) avoids the supernatural staples and fusty evening news economics and opts instead for a far more realistic and terrifying approach - the prospect of never owning a home at all. The slow build anxiety of being in your early 30s with family pressures, a lousy social life and a shit job, pressure cooking inside you until something has to blow. And in Dream Home’s case that’s Cheng Lai-sheung (Josie Ho) quietly blowing her stack and going on a bloody rampage.

Read the full article at Diabolique Magazine:
https://diaboliquemagazine.com/open-for-inspection-the-property-horror-of-dream-home/

IMDB: Dream Home