Monday, 20 July 2020

LAKE OF DEATH (DE DØDES TJERN) (full review at Screen Realm)

Lake Of Death (De Dødes Tjern) is a Norwegian horror movie from writer / director Nini Bull Robsahm. It is based on the 1958 Norwegian horror film, also called of De Dødes Tjern, which went by Lake Of The Dead in English.

Lillian (Iben Akerlie) is mourning the tragic disappearance of her brother, Bjørn (Patrick Walshe McBride), returning to her family lake house with a group of four friends, for one last time before selling the property. On the first night, their guide tells them the local legend of Gruvik, man driven to insanity by the lure of the lake, murdering his family before drowning himself. 

Lillian is not ready to be there and, still suffering with her grief, her emotional state is fragile. She begins to hallucinate and have strange dreams about forest vines and a black tar-like substance. She starts to sleepwalk. Meanwhile, strange, seemingly innocuous things start to occur in the house and tensions rise as accusations fly.

Read the full review at Screen Realm:
https://screenrealm.com/lake-of-death-horror-de-dodes-tjern-movie-review/

IMDB: Lake Of Death (De Dødes Tjern)

Saturday, 18 July 2020

EXTRA-TERRESTRIAL DATING - FURIOUS FICTION - AUSTRALIAN WRITERS' CENTRE - JUNE 2020


This is my entry for the Australian Writers' Centre's June Furious Fiction competition. Rather than moulder away on my hard drive, I decided to let this blog take another detour from the film writing and put it up here, in case anyone fancies a read . It's a bit of a departure for me in terms of concept as it's basically just a straight romance tale - albeit one with alien insects and the ever present spectre of narcissistic genetic enhancement.

In addition to 500 word maximum and a three day window to write it, the rules for June were:
Each story’s first and last words had to begin with J.
Each story had to include a game being played.
Each story had to include the phrase MISS/MISSED THE BOAT.


EXTRA-TERRESTRIAL DATING


Just hear me out on this. Extra-terrestrial dating is as hard as terrestrial dating. Several friends mentioned they thought it’d be easier, that I’d be spoiled for choice. Fact is, whether you’re using a paid app or a free one, they’re always the same. Always inundated with horny bipeds. But I’ve been working on Earth for several months and we all have needs, so I figured I’d give one of ‘em a shot.
The humanoid was waiting in the pub and he looked like his picture, more or less, which is a small victory. He’d made an effort but didn’t want it to look like it. He was cosmetically free from cybernetic enhancement, although the signs were there that someone in his family tree had undergone Aesthetic Sub-Atomic Redesign.
Before making my way over, I sneaked a look at the dating app. I was relieved to discover his humanoid vapour was universally compatible. Which made the following all the more annoying. As I sat down at the table, my spore pouch burst. I know, right? Total nightmare. No idea how it happened. One minute we’re raising appendages in greeting, the next a brilliant explosion of glittering dust illuminates the whole pub and my Spore Cloud blossoms into dazzling, beautiful, pollinated life. Of course, seconds later it’s vacuumed up into the air conditioning system and syphoned off to a medical waste vat. I mean, it’s not like you can just put Spores back, but it would’ve been nice to feel their euphoria for more than 8 seconds.
The humanoid looked surprised. His eyes were big. They appeared rounder than usual. I didn’t know they could do that.
“Was that your…”
“Spore pouch? Yes. Can you believe that?”
“Was that supposed to happen?”
“No. It’s meant to deploy at coital zenith, when my fluid strands are at their highest tensile strength and my gills are primed to receive them. So as you can imagine, this is quite mortifying.”
The humanoid’s face started to crinkle. His eyes went from wide to narrow quite suddenly.
“I should be running from the building in total embarrassment, except there’s no point. Spore deployment means I’ll be entering an eighteen month chrysalis stage in about an hour. Like the old saying goes: you can’t be embarrassed in a pupal stage.”
“Huh?”
“Don’t worry, I think it loses something in the translation. My point is that by the time I hatch, no one will care. Plus, I’ll also have wings.”
The humanoid said he was confused.
“I’m confused”
“It means we’ve missed the boat on our date, I’m afraid”
The humanoid’s face was doing all sorts of weird things by this point. So in order to salvage something from our night I pointed to the stack of boardgames on the shelf behind him.
“Fancy a game of Monopoly?”
We played until my carapace hardened and I couldn’t roll the dice. Then he rolled for me. It was really quite romantic. And I let him win, just.

END. 


picture by SavaSylan at Shutterstock

Wednesday, 15 July 2020

LEGEND OF THE MUSE (full review at Screen Realm)

The Legend Of The Muse is the feature debut from John Burr, who wrote and directed this horror story which brings the Leannán Sídhe, an ancient character from Irish folklore, into the modern horror genre.

Struggling artist Adam (Riley Egan) agrees to give his shifty neighbour, Hector (Max Decker), a ride out to the country to take care of some business. On a deserted stretch of road, they encounter a mysterious, beautiful woman, stalking them from the forest. Upon returning home, the woman manifests herself in Adam’s studio. She turns out to be the Leannán Sí (Elle Evans), a creature from legend who acts as muse to the creative soul, but also as the agent of their ultimate destruction.

Adam finds inspiration in the Leannán Sí, turning in work of new quality and securing a gallery showing from art dealer Valerie (Jennie Fahn). He also finds himself getting to know his neighbour Maria (Kate Mansi) better, lear

Read the full review at Screen Realm:
https://screenrealm.com/legend-of-the-muse-movie-review/

IMDB: Legend Of The Muse

Friday, 10 July 2020

THE BEACH HOUSE (full review at Screen Realm)

The Beach House is the debut feature from Jeffrey A Brown and is a subtle, slow building horror movie taking in elements of body horror, contagion panic and HP Lovecraft. It’s streaming on Shudder from 9 July 2020.

Emily (Liana Liberato) and Randall (Noah Le Gros) arrive at Randall’s family holiday home for a weekend away, in which they hope to reconnect in their relationship. As it is the off-season, the neighbourhood is almost entirely deserted, so it is with considerable surprise that they meet Mitch (Jake Weber) and Jane (Maryann Nagel), friends of Randall’s father who chose the same weekend to stay in the house, each couple believing it would be unoccupied. Rather than find a hotel, they all agree to remain in the house and have dinner together, discovering that they get along famously.

During the course of a heavy night a strange, phosphorescent mist drifts in from the sea and they go outside to investigate. The following morning, Emily and Randall start to notice things around them are not quite right… without being able pinpoint the reason. Despite the beautiful, shimmering ocean, they become aware there is menace in the brine.

Read the full review at Screen Realm:
https://screenrealm.com/the-beach-house-movie-review-horror/

IMDB:The Beach House

Sunday, 28 June 2020

THE WRETCHED (full review at Screen Realm)

The Wretched is the second feature from directors Brett and Drew Pierce. It’s currently available on a limited cinema release and in the Foxtel Store until 18 July, ahead of a wider On-Demand release from 2 September.
Ben (John-Paul Howard) goes to stay with his father, Liam (Jamison Jones), in the small country town where he has relocated following divorce proceedings. Ben gets a job at the local marina, where he meets Mallory (Piper Curda) and the two soon become close. Meanwhile, Ben begins to notice strange things happening in his neighbourhood and comes to the conclusion his neighbour Abbie (Zarah Mahler) has been possessed by a forest witch, who preys on children.


Read the full review at Screen Realm:
https://screenrealm.com/the-wretched-horror-movie-review/

IMDB: The Wretched

Tuesday, 23 June 2020

LOST BULLET (BALLE PERDUE) (full review at Screen Realm)

Lost Bullet (Balle Perdue) is a French action thriller directed by Guillaume Pierre and premiering on Netflix. Sitting in a similar ballpark to Netflix’s underrated, vehicular crime thriller Wheelman (2017), Lost Bullet gives us more anti-heroes, double crosses and tumbling automobiles than you can shake a stick at.

Lino (Alban Lenoir) is a genius mechanic, given a jail term for his part in a bungled jewellery store heist. He is taken under the wing of Detective Charas (Ramzy Bedia) and given leave from prison, provided he works for Charas’ police unit, who tackle crime at high velocity on the streets and highways of France. Lino’s role is to patch up and soup up the pursuit vehicles for their life on the road.

Unfortunately, things go pear shaped when one of the cops in the unit commits murder and hangs it on Lino, forcing him to go on the run and to try and locate a crucial piece of evidence that could clear his name.

Read the full review at Screen Realm:
https://screenrealm.com/lost-bullet-balle-perdue-movie-review-netflix-french

IMDB: Lost Bullet


Monday, 22 June 2020

CRAZY CULT / FORGOTTEN MOVIES TO WATCH ON AMAZON PRIME VIDEO & TUBI AUSTRALIA (full review at Screen Realm)

With global isolation in full swing, everyone’s attention has inevitably turned to how to pass the time at home and what to watch. Naturally, with so much choice at our disposal it can be overwhelming. So I set out to select ten lesser-seen gems from Prime and TUBI, who have been quietly collecting an impressive cache of action, horror and sci-fi movies. These are not necessarily five star classics, but a mix of weirdo curveballs and genuinely great films that don’t deserve to get lost among the deluge of options. Movies that don’t just think outside the box, but tear the box into a million pieces and set fire to box and then rub your face in the box.

You’ll need a subscription to watch Prime, but TUBI is completely free, so long as you’re prepared to endure a couple of advert breaks. Otherwise, their catalogues are pretty similar and remind me of an online video store. At risk of showing my age, it’s fair to say that nothing will ever replicate that formative video shop experience of being scarred for life by the cover of C.H.U.D., or just plain terrified of the Re-Animator poster hanging above the counter. But the online version does have the advantage of letting you watch films with impunity – no power hungry video store clerk is going to stop me renting Die Hard 2, for example.

Unfortunately, a list of ten proved to be much too hard to narrow down, so it evolved into twelve movies (seventeen if you count the trilogies individually) currently streaming on Prime and TUBI in Australia, that deserve to be on a few more watch lists.  So let’s get stuck in.


Read the full article at Screen Realm:
https://screenrealm.com/amazon-prime-video-tubi-australia-cult-movies-to-watch/