Wednesday, 20 April 2022

THE WITCH (full article at The Guardian Australia)

Robert Eggers’ new movie, The Northman, arrives in Australian cinemas this week. In order to get prepped for this bloody tale of Viking vengeance, check out his unsettling horror debut The Witch: a folk horror movie that does not rely on gore to terrify the audience, but instead gradually worms its way under your skin to slowly unnerve you. It’s not the plunge from the top of the rollercoaster but a slow drive down a dark, country lane.

Set in 1630, a Puritan settler family are banished from their New England village after a heated religious argument in the colony. Isolated theologically and physically, patriarch William (Ralph Ineson) moves to the edge of a vast, dense forest with his family: wife Katherine (Kate Dickie) and their children Thomasin (Anya Taylor-Joy), Caleb (Harvey Scrimshaw), twins Mercy and Jonas (Ellie Grainger and Lucas Dawson), and infant Samuel. But nature is unforgiving and the family’s crops fail. Suddenly, while under Thomasin’s care, baby Samuel disappears, stolen by a witch who dwells within the forest.

Read the full article at The Guardian Australia:

https://www.theguardian.com/film/2022/apr/20/the-witch-robert-eggers-folk-horror-debut-worms-its-way-under-your-skin

IMDB: The Witch







Sunday, 17 April 2022

THE BIG SCORE - FURIOUS FICTION - AUSTRALIAN WRITERS' CENTRE - MARCH 2022

This is my March 2022 entry for the Australian Writers’ Centres Furious Fiction contest. It didn’t do anything in the contest, but I don’t really care about that. What’s important is that I found a stupid idea and wrote something I’m really pleased with. 

In addition to the 500 word maximum and a three day window to write it, the rules for March: 

·         Your story must include a character that commits a crime.

·         Your story must include some kind of DOOR being opened.

·         Your story must include the words CHALK, TALK and FORK.


It’s 8pm and I’m parked opposite a warehouse on the bad side of a bad city. It’s a bad environment, squared. The rain is beating out some crazy jazz on my rooftop and I’m washing down antacid tablets with stale coffee. I got a peptic ulcer and a telephoto lens for company.

Name’s Frank Chisel. I got an ex-wife, a shitty mortgage and half-pint of Jack Daniels stashed in my glove box. I got a badge and a gun and the right to use deadly force if I catch you with over 50kgs of Dutch Creams. That’s right, I’m a P.I. - Potato Inspector.

Governor Patterson got elected on a ‘tough on crime’ platform. Every archaic law gets enforced, everywhere. Excessive potato possession began in WA, but blighted the whole country.  Agricultural Syndicates ruin lives and strangle cities.  I’m flying solo tonight. My partner, Jenkins, is in the hospital. Took a bullet busting up an illegal Farmer’s Market. Three days off his retirement. That poor bastard.

Warehouse roller door slides up with a noise barely audible over the downpour. Dark blue hatchback idles down the driveway. Lotta trunk space. chalk it up to experience, but that’s an immediate red flag. A kid exits the car – he’s a skinny beatnik with a mangy beard - and I spot all the evidence I need to stop and search. In the corner, almost hidden by the door… a fuckin’ wheelbarrow.

I hit the gas and put my sled between the kid and the road. Roller door snaps shut. He’s got nowhere to go. Kid’s cocky and thinks my XL waistband means I’m all lard, but a couple of friendly one-twos dissuades him of that notion. Kid flops to the ground and surrenders his keys and I pop the trunk. A hatchback full of illicit tubers. I grab my fork, cut a piece and taste. It’s good shit.

“This is uncut Australian Pontiac. Know what that means?”

Kid looks up from the floor. Cracked ribs starting to hurt. Cracked pride hurting him more, he says nothing.

“Means, you’re growing ‘em. Not importing ‘em. You’re looking at a big stretch. Sing it now, or forever hold your peace.”

Gotta hand it to him, kid’s still got fire in his eyes. He invites me to do something biblical with my mother and my fists politely decline. Kid spits a mouthful of teeth onto the pavement. He ain’t talking.

I slam the hatchback – equal parts frustration and intimidation tactic - when something falls from the underside. A small, green cylindrical object rolls slowly across the floor and comes to rest perfectly between the two of us. I look at the seemingly innocuous vegetable and then back at the kid… the fire in his eyes has just gone out. A wry smile grips the corner of my mouth. I pop another antacid and grab my radio.

“It’s Chisel – get me the Chief. This case just blew wide open. You better get the Zucchini Squad down here, right now.”


 

Wednesday, 6 April 2022

GOOD TIME (full article at The Guardian Australia)

With Robert Pattinson’s Batman currently impressing on the big screen, what better reason to look back at the role which The Batman director Matt Reeves credits as the catalyst for his casting. The Safdie brothers’ 2017 film Good Time is a tense, nervy, caffeine jolt of a crime thriller, which sees Pattinson in top form as a small-time crook, trying to save his brother over the course of 24 agonising hours.

Connie Nikas (Pattinson) and his developmentally disabled brother Nick (co-director, Benny Safdie) rob a bank in New York but bungle the getaway. Nick is arrested while Connie manages to flee the scene. In a darkly amusing piece of irony, Connie attempts to bail his brother using the very same robbery proceeds they just stole. It’s not enough to spring Nick, so Connie scrambles to find $10,000 in a single night, as events spiral rapidly out of his control.

Read the full article at The Guardian Australia:

https://www.theguardian.com/film/2022/apr/06/youll-have-a-bad-time-watching-good-time-but-youll-never-feel-so-alive

IMDB: Good Time

Tuesday, 5 April 2022

BULL (full review at Screen Realm)

Bull (Neil Maskell) is a top enforcer in a criminal gang. A brutal and merciless thug on the streets, yet a caring and doting father at home. His boss, Norm (David Hayman), also happens to be his father-in-law. So when Bull’s relationship with his wife turns sour, both his livelihood and well-being are put at risk. A dispute over custody of Bull’s son turns nasty and he is attacked and left for dead. Ten years later, Bull returns home to exact bloody vengeance on those who betrayed him.

Read the full review at Screen Realm:

https://www.screenrealm.com/bull-movie-review-neil-maskell/

IMDB: Bull