Velvet Buzzsaw is Dan Gilroy’s third directorial effort and sees him reuniting with Nightcrawler alumni Jake Gyllenhaal and Rene Russo. Nightcrawler was a seedy, darkly comic delight, as Gyllenhaal trawled the streets of L.A. in search of salacious traffic accident material, with a script that spun his moral compass as if exposed to magnetism. In between, Gilroy wrote and directed Roman J. Israel, Esq. (with Denzel Washington) and co-wrote the screenplay for the hugely enjoyable Kong: Skull Island. So with such a diverse and enjoyable pedigree, it’s fair to say expectations were high for Velvet Buzzsaw’s Netflix debut.
Pompous art critic Morf Vandewalt’s (Jake Gyllenhaal) endorsements are highly sought after. He is a man with the power to make or break artists in the Los Angeles art world. So when Morph’s girlfriend Josephina (Zawe Ashton) comes to the aid of a dying man, Vetril Dease (Alan Mandell), and discovers a huge amount of artwork in his apartment, she shows it to Morph and her boss Rhodora Haze (Rene Russo) believing she has discovered a massive unknown talent. With the weight of Morph’s influence and Rhodora’s gallery behind it, Dease’s work sets the art world alight and becomes a huge success. Shortly after this success however, the owners of the paintings start to die under mysterious circumstances.
Read the full review at Screen Realm:
https://screenrealm.com/velvet-buzzsaw-movie-review-netflix/
IMDB: Velvet Buzzsaw
Friday, 29 March 2019
DREAM HOME (full article at Diabolique Magazine)
Home ownership is not a new subject for the movies. In horror, for example, the haunted house is one of the most well established and popular sub-genres. But there are precious few movies about the horror of actually buying a house. Most likely because people carping on about house prices is deathly boring to anyone in their right mind. However, Pang Ho-Cheung’s Dream Home (Wai dor lei ah yut ho, 2010) avoids the supernatural staples and fusty evening news economics and opts instead for a far more realistic and terrifying approach - the prospect of never owning a home at all. The slow build anxiety of being in your early 30s with family pressures, a lousy social life and a shit job, pressure cooking inside you until something has to blow. And in Dream Home’s case that’s Cheng Lai-sheung (Josie Ho) quietly blowing her stack and going on a bloody rampage.
Read the full article at Diabolique Magazine:
https://diaboliquemagazine.com/open-for-inspection-the-property-horror-of-dream-home/
IMDB: Dream Home
Read the full article at Diabolique Magazine:
https://diaboliquemagazine.com/open-for-inspection-the-property-horror-of-dream-home/
IMDB: Dream Home
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